Marta Forsberg is a Swedish-Polish music artist based in Berlin. Her work explores language, memory, and archives, often blending human and synthetic voices. She has released music on labels like Warm Winters Ltd., Xkatedral and thanatosis. Marta frequently collaborates with performers and choreographers, and alongside Lo Kristenson she co-founded Konstmusiksystrar, an organisation promoting gender equality in music. Marta studied electroacoustic composition in Stockholm and Warsaw.

Sindri Runudde is a Swedish dancer and choreographer whose work explores the body as a sensory archive through dance, sound, and storytelling. Educated at Stockholm University of the Arts with training in contemporary circus, they work from a queer and disability rights perspective. Sindri collaborates internationally with institutions like Dramaten, Skånes Dansteater, and Candoco, and is currently developing the project “Rehearsal Radio: Outside Ear.”

Thiago Granato is a Dance Artist from Brazil based in Berlin (DE). His works are the results of processes that insist on promoting experiences of political transformation through aesthetic innovation. He completed his Master degree at Uniarts Stockholm in the program NPP – New Performative Practices (2021), directed by Chrysa Parkinson. Took part of the Ex.e.r.ce 8 Program at CCN Montpellier (2008), coordinated by Xavier Le Roy. With Catarina Saraiva he co-curated the International Festival and Laboratory Linha de Fuga in Coimbra (2022). In 2023 was one of the facilitators of The Listening Academy Berlin, in collaboration with Brandon LaBelle.

”Archaeology of Intimacy”, which has its world premiere at Rabbit/Duck 5 october 2025, is a collaborative performance project with music composed by Marta Forsberg, created together with dancers Sindri Runudde and Thiago Granato. Blending electronic music, vocal textures, and movement, the piece explores new forms of interplay between sound and body. Through shared authorship and close collaboration, it challenges traditional roles and creates a hybrid stage language rooted in both musical and choreographic practices.