No Deadline International Workshop Series:

LEE\VAKULYA

No Deadline are thrilled to continue our workshop series this autumn, in collaboration with Danscentrum Väst.

The duo LEE\VAKULYA opens up ten years of shared creative space, a decade of making work and living inside the questions that collaborative creation demands. In this workshop, we share movement practices developed with our dancers to challenge how attention works, not just where it goes, but how it moves through the body and what it lets in. Moving solo and in shared dance, we take time with each task, guided by deep sensations and internal states rather than how the movement looks from the outside. Listening is the throughline here, engaging not only the ear and eye, but the skin, intuition, and senses that don't even have names yet. As our attention opens, listening reshapes what you can catch next time. Drawing on the strategies LEE\VAKULYA uses in their own practice, this workshop invites you to hear what movement - yours and someone else's - is doing, and to externalize your inner landscape with the power of imagination.

The workshop will be given to the dance field free of charge on the 10th and 11th of October at Ärlegården, Göteborg. Sign up by sending an e-mail to deadastheline@gmail.com. Subject line: Workshop LV. 

Photo: Tjimur

LEE\VAKULYA is a collaborative artistic duo company by Chen-Wei Lee (Taiwan) and Vakulya Zoltan (Hungary) based in Brussels, Belgium. They have been working together since 2016, creating several stage works and museum/gallery-format exhibitions and performances. Wei and Zoltan have been dedicated to slowly crystallizing their own approach to movement, which comes together from their own physical research, inspired and enriched by companies and choreographers they have previously worked with, such as Batsheva (IL), Voetvolk (BE), Hodworks (HUN), and Mal Pelo (ESP).Their artistic view is focused on the delicate relations between human beings and society while touching on vulnerable issues on the questions of boundaries and proximity, they push the limits of partnership and empathy.With the different stage works they have created, they had won awards from Taishin Performing Arts Award 2023, TECO Award for the Art of Dance 2020, and the Jeon Mak Arts Award 2017, and were nominated for Total Theatre Award 2017 (United Kingdom), Best Choreographer for the stage work Mephisto (2022), commissioned by the Serbian National Theater etc...

Photo: Maël G.Lagadec

Creative Currents Spring 2026: Anna-Greta Himmer and Elias Kraft

Anna-Greta Himmer and Elias Kraft were invited to create a new work through three residencies in Västra Götaland region: Konstkollektivet, Scenstudion and Finnekumla Dans & Konstscen. The result was the dance work Kraakus, which was shown at Scen 46 on the 8th and 9th of May 2026. 

Photo: Robin Ahlqvist
Photo: Rebecka Hansson

No Deadline Duo in collaboration with Systemic Quartet 18:00 Friday 28/12, Scen 46

CTRL + IMPROV
Dancing with algorithms

An evening of improvisation around algorithms, rules and systems, in sound, movement and visuals. The dancers and musicians explore a number of different improvisation systems, while also reflecting on what happens within this practice.
The evening includes two performance sets, with food served in the break (included in the ticket).
Tickets: 150kr / 100kr (students, retired, etc.)

The evening is a collaboration between the performing arts duo No Deadline and the Swedish-American group of musician-researchers called Systemic Quartet. It is a part of the artistic research project Entangled Musicianship at University of Gothenburg, supported by the Swedish Research Council (Vetenskapsrådet).

No Deadline: Toby Kassell and Ingeborg Zackariassen are Gothenburg-based choreographers and performers working collaboratively at the intersection of movement, sound, and text. Through their platform No Deadline, they create interdisciplinary works grounded in embodied listening, improvisation, and the shifting relations between physical and sonic composition.

Systemic Quartet:
Palle Dahlstedt, Swedish composer and improviser, pianist and electronic musician, explorer of new kinds of musical interaction for more than two decades. Professor of interaction design, professor of art & technology, University of Gothenburg and Aalborg University.
Per Anders Nilsson, Swedish composer and improviser, deeply rooted in free jazz and free improvisation, playing sax and electronics. Professor emeritus of music, University of Gothenburg.
Tim Perkis, electronic music pioneer and improviser from USA, currently living in Gothenburg, cofounder of the legendary League of Automatic Composers in the 1970s and The Hub in the 1980s.
Gino Robair, improviser, composer, multiinstrumentalist, and visual artist from California. A leading character in the San Francisco improvisation scene, and has played with each and everyone.

3rd edition of RABBIT/DUCK Interdisciplinary Art Festival

3-5 October 2025 at Scen 46

CREATIVE CURRENTS - a choreographic evening 1st edition Scen 46, 27+28 of September

WORKSHOPS:

2025: 
Harlan Rust (14/9, 10:00–14:30, Scen 46)
Katie Duck (4/10, 11:00–17:00, Scen 46) 
Helder Seabra (6+7/12, Ärlegården)

2026:
Zander Constant (3+4 October, Ärlegården)
LEE\VAKULYA (10+11 October, Ärlegården)

WORKSHOP: HARLAN RUST

Listen to No Deadline on Liza Penkova's podcast:

No Deadline
Photo: Chris Caig

During Dance Week Festival in Zagreb, No Deadline’s Toby Kassell taught a 3-day workshop at Zagreb Dance Centre:

Composition in Motion

In this improvisation-based workshop, choreographer and performer Toby Kassell (UK/SE) invites participants to explore the relationship between individual voice and collective motion. The sessions are grounded in embodied awareness and spatial attention, guiding dancers toward intuitive compositional choices in real time.

Participants work with shared improvisation structures and movement scores that activate listening, presence and the poetic potential of the group. Kassell’s approach emphasizes the emergence of choreography from within – rather than imposed design – challenging dancers to take creative responsibility inside a collaborative space.

23 of May at Masthamnsgatan 23, 413 27 in Gothenburg

No Deadline + Donovan von Martens performed Crunch Crisis in an evening organised by Levande Musik. Curator: Arvid Kraft.

In collaboration with Danscentrum Väst, No Deadline hosted a workshop by Anna Nowicka at Scen 46.

Anna Nowicka (Berlin) is choreographer and performer, plunging into the lush reality of dreaming. She researches the potential of images to expand the body into a state of a continuous becoming. Graduate of the Salzburg Experimental Academy of Dance (SEAD), MA Choreography at the HfS Ernst-Busch / HZT in Berlin and MA Psychology at the Warsaw University, she wrote her practice based PhD on embodied awareness as the foundation for being present. She has completed a basic training in Systemic Therapy. Anna’s research has been repeatedly recognized. She was awarded the DAAD Prize, followed by the choreographic scholarship from the Studienstiftung des deutschen Volkes, Tanzstipendium from the city of Berlin, scholarship from the Gwaertler Foundation and most recently, Tanzpraxis Scholarship from the city of Berlin. Her solo: “the truth is just a plain picture. said bob.” was selected for the Polish Dance Platform, Fringe Festival in Edinburgh and Polish-Israeli Dance Platform in Tel Aviv. „Raw Light” (2017) was chosen to be part of the Polish Dance Network, and “This Is The Real Thing” (2018) opened the Polish Dance Platform in 2019. Her most recent work – „Eye Sea” premiered in December 2019 in HAU, Berlin. Since 2010 her individual choreographic practice is connected with the Art Stations Foundation. Anna is a certified Saphire® teacher of dr. Catherine Shainberg’s “The School of Images”. She is unfolding dreamwork through an intensive exchange with dr. Bonnie Buckner.

Read an interview with Anna Nowicka here:

https://www.tanzforumberlin.de/en/artist/anna-nowicka/